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Yuqing Xie

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research

BA (Hons) Fashion Textiles

“Eternity Wait” explores the phenomenon which people spend the time waiting for something and their perception of time, where the aim is the action of waiting, not the object people are waiting for. The starting point of my final major project is the famous absurd play created by Samuel Beckett -- Waiting for Godot. The main concept of the project is about “ Waiting “, which I first got inspired from my personal experience and affections in a certain of waiting activities during my holiday. In this design report I will elaborate the interpretation of Waiting for Godot and how I linked the idea of time perception to the action of waiting. Furthermore, the approaches and methods of transferring the idea of waiting into my final project and textile designs.


Yu Lee

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No.1

BA (Hons) Cordwainers Footwear: Product Design and Innovation

Mo-Ho; Undefined

Dorothy Ng

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Jacket Project

BA (Hons) Fashion Design Technology: Womenswear

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Natalie Matons

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Group

FdA Fashion Design Technology (Designer Pattern Cutter)

I currently am veering my work towards menswear and I hope to continue to participate in designing and making men's clothes until the end of my course I like to have variety in my work

Sunjung Park

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01

BA (Hons) Fashion Design Technology: Womenswear

This project seeks to design a collection that pays homage to diamond miners. It takes inspiration from both historical and contemporary examples of dress worn by this worker. This work refers to the worker and is analyzed in three ways, which relate to the terms ‘Difficulty’, ‘Dirt’ and ‘Danger’. It is all about strong woman, grunge style and street looks, as models appeared in slouchy, denim fabric garments, including deconstructive jackets, functional jumpsuits and shift dress. These works pursue comfortable, protective, and functional elements.

Zishan Li

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PURPLE

BA (Hons) Fashion Design Technology: Womenswear

cartoon

Lauren Collins

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Nine - Film. Final Major project

BA (Hons) Costume for Performance

I believe my passion for original and innovative costumes has pushed me to challenge the boundaries of what is traditionally perceived as costume through my interaction with objects and landscape. My excitement for character and concept has led me to produce a range of works which draw influences from existing narratives and philosophical concepts. I remain enthusiastic about all areas of costume whether contemporary or historic and have a high appreciation for tailoring which I picked up from my time spent interning on Savile Row. My final major project drew its inspirations from the works of John Cage and Marcel Duchamp and was directed by a series of chance determined operations. It also considers the theory of the observer completing the work through its use of reflective surfaces. I worked with themes that were loosely selected from Samuel Beckets Waiting for Godot, most notably those of isolation, repetition, unknown and on-going. With this work I sought to explore the limitations of costume and its potential to additionally exist as props and set. The costumes ability to merge into its landscape pushed me to consider the scale of the work and its potential to keep growing and expanding.

Wendy Wong

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Final Major Project Illustration

BA (Hons) Fashion Textiles

Wendy Wong Final year BA Fashion Textiles, specialising in knitwear. Currently working on my final major project, based on my childhood yearning to be a witch in the 1990's and the familiar/spirit animals that accompany them, focusing primarily on snakes. w.wong1@arts.ac.uk


Shaan Bevan

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Final Major Project Illustration

BA (Hons) Fashion Design Technology: Womenswear

Strong interest in the connection between fine art and fashion, both in concept and craft. I am interested in recontextualizing traditional techniques to inform modern applications.

Antaya Shakila Lendore

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Boxpark Gallery/ Somewhereto____  -  Finalist 2014

BA (Hons) Fashion Illustration

Antaya Shakila Lendore - BA (Hons) Fashion Illustration Finalist in Boxpark Gallery Competition 2014 - Exhibited in the Boxpark Gallery during the month of January 2014 Experience working large scale - painting directly onto walls in Covent Garden for Erin O'Connors Model Sanctuary in preparation for London Fashion Week, February 2011 Works on a variety of sizes and materials, from small greetings cards to hand painted cotton tote bags Strong interest in colour, pattern and print.

Emily Aye

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Look 4

BA (Hons) Fashion Design Technology: Surface Textiles

Fashion Designer and Print Specialist with commercial experience in pattern cutting, hand and machine sewing and confident using Photoshop, Illustrator and basic Indesign. Comfortable on knitting machines, with hand and machine embroidery. I am an enthusiastic individual inspired by bright colours and patterns, thriving as a team player, excelling in project management and communication. Very open minded, happy to take on new challenges and a very quick learner. As an ambitious Surface Textiles Designer and Fashion Designer who loves the fast pace nature of fashion design, I am looking for an opportunity to gain experience as a Studio Assistant, whether that be in Pattern Cutting, Print Designing or working on Photoshop and Illustrator. I have previous experience from freelance work and past placements. I am passionate about ethical and sustainable fashion within all sectors including Marketing. This project is inspired by Burma/ Myanmar and buddhism in the country. The use of gold is prominent throughout the culture and also is in this collection. Silhouettes are inspired by traditional womenswear in Burma and traditional clothing worn by women in many different tribes from different states of Burma. Detailed research was also carried out into the current political issues of the country and has been carried through into some of the textiles ideas, other textiles are inspired by jewellery which is worn to represent wealth within tribes. This has also been used to create new, contemporary embellishments in this collection.

Amy Whittaker

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Depressions

BA (Hons) Hair, Make Up and Prosthetics for Performance

View my latest works and creations at www.facebook.com/Ami.1u My style incorporates a mixture of delicate detail and beauty with the dark and macabre. I explore texture and dimension, shape and form, experimenting with historical influences and period references. The body is my canvas on which ideas and concepts can be expressed and developed artistically. The face and head are my domain for creations to adorn and decorate. A creative, thoughtful and conscientious worker, prepared with good knowledge and broad understanding of technical, creative and design based skills in hair and make-up. Very hands on, with good practical crafts and construction abilities, creating unique three dimensional forms and structures.

Jodie Brady

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FINAL COLLECTION A/W 2013

BA (Hons) Fashion Design Technology: Surface Textiles

Jodie Iris Brady graduated from London College of Fashion in 2012 with a First Class Honours Degree in Fashion Design Technology: Womenswear. Her work is highly inspired by foreign cultures historical and modern day beliefs and practices and the effect they have upon the body. She juxtaposes textile elements with advanced pattern cutting to create strong, statement bold pieces for both luxury womenswear and menswear. She is currently working as Head Pattern Cutter for independent fashion label Chateau Boutique in Newcastle upon Tyne. She is also self employed as a freelance illustrator and CAD tutor. Skills - Fashion, textile and pattern design. - Illustration. - Website and blog design. - Advanced pattern cutting and grading for both high end and high street. - Garment construction and manufacture knowledge. - CAD and creating patterns on CAD systems. - Prototype Sampling and fit session approval. - Advanced sewing and manufacturing techniques for both high end and high street. - Proficient in a range of textile techniques including machine embroidery, screen and digital print and CAD. IT Skills - Fully competent on both Apple Mac and PC systems. - Fully competent in Adobe CS6 including: Photoshop, Illustrator, InDesign, Dreamweaver, Fireworks. - Microsoft Office including: Outlook, Word, Excel, Power point. - Artworks Studio, Fashion Studio. - Ethos Laser Cutter Program. - Wilcom Embriodery Program. - Optitex Pattern Scanner. - Gerber AccuMark. - DesignaKnit 7 and 8. Achievements - Textprint Competition - Winner - Experiments in Fashion Competition - Winner - Weybury Hildreth Competion - Winner - British Fashion Council - Shortlisted Employment History Chateau Boutique, Newcastle - Head Pattern Cutter Freelance Illustrator, Newcastle - Self Employed Freelance CAD Tutor, Newcastle - Self Employed Koushna Navabi, London - Head Pattern Cutter Gareth Pugh, London - Studio Assistant Newcastle College, Newcastle - Part Time Pattern Cutting Tutor Monsoon/Accessorise, Newcastle - Visual Merchandiser Internships - Gareth Pugh - Giles Deacon - Alexander McQueen - WGSN - Hemingway Design Fashion Design Technology Womenswear and Menswear Design Pattern Cutting Surface Textiles Illustration Graphic Design

Ellie Skeet

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'The Ghost of Marie Antoinette' Costume: Ellie Skeet, Model: Tess Dimos, Photo: Luke Woodford

BA (Hons) Costume for Performance

Ellie Skeet Ellie has a diverse and original creative talent. Producing thought provoking work, fantastical/futuristic/contemporary, combining with fashion and traditional costume influences. Work history: ☻L.A.M.D.A production of 'Sweeney Todd' (January- February 2013): Costume realisation ☻Work experience for The Globe Theatre (January 2013) ☻'Aladdin' Eastbourne Theatres 2013 panto, Jordan Productions (November-December 2013): Wardrobe assistant/ costume realisation ☻'Just Desserts' short film, prod. Superplex pictures, dir. Michael Yanny (August 2013): Costume designer/ wardrobe supervisor/ costume continuity ☻Wilderness Festival (August 2013): Production runner ☻The Royal Ballet School (June 2013): Wardrobe assistant ☻'Eyes on you' by Silent H! music video (June2012-June2013): Producer, director, art director, costume designer and maker ☻Opera Australia, Sydney Opera House costume department (January-March 2012): LW costume construction level 1 ☻'MEAT' short film, prod. Ally Kuch, dir. Ina Anastasovska (April-June 2011): Costume designer, wardrobe supervisor email: e.skeet1@gmail.com twitter: www.twitter.com/ellieskeetskeet pinterest: http://pinterest.com/ellieskeet Instagram LinkedIn. Connect with me and view my profile. http://lnkd.in/Mwjk69 Currently starting up a 'made from fabric' range. Check out the link below to see some items from my first collection.

Danny Hyland

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Katie Eary Mickey Heads aw14

BA (Hons) Technical Effects for Performance

Art director and set designer making props, ornaments, sculpture and models, predominantly working for Fashion magazines incl. Schön Magazine, Hunger Magazine, Rollacoaster, Wonderland, Pigeons and Peacocks but also Theatre, Themed Events, Exhibitions, Private Parties, Retail, TV and Film. Ambitious, inventive designs that catch the eye. E: dannyhyland@live.com T: 07795803710


April Sevieri

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Lola Rose Collection

FdA Cordwainers Footwear Design

April Sevieri, Nineteen, Footwear and fashion designer, based in East London. Currently in Final Second Year of FDA Footwear design. Big passion for photography, making, designing, textures, cultures and art! Thank you for checking out my work! For more visit - http://sevieri.weebly.com/

Claire Kelly

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Fauna 3

BA (Hons) Fashion Design Technology: Surface Textiles

Claire Kelly www.claire-kelly.com A graduate of London College of Fashion, with First Class Honours in Surface Textiles, specialising in Printed Textiles. Claire is currently working as a Freelance designer. The materials used to create print are innovative. A great devotee of mark making, with numerous ways in which to create line and pattern, artists should not be confined to a brush or a pen. The ranges of objects used to create pattern are what make the Textiles innovative. Press Coverage including; Vogue.co.uk, MyDaily, Fashion156, Pigeons& Peacocks, Idol, Blanc Magazine Winner FASHION156 'Most Successful 3-way Collaboration' Award. For her collaborative Collection for LCF’s prestige Press Show. Awards & Achievements Jun 2013Published in London College of Fashion, School of Design and Technology Annual 2013 Jul 2013Showing collection in London College of Fashion Press Show Mar 2013Short listed for BFC Chloe Competition. Chloe Attitude Modernity in Movement May 2013Short listed for RHS Chelsea Flower Show Competition CREDITS Fauna 1.2.3 Photography; Kasia Wozniak Model Katharina @ M+P LCF Collaboration Print Design: Claire Kelly Womenswear Design: Sarah Buchanan Millinery: Georgie Howling Photography: James Rees Model: Laura @Select Hair and Make Up: Pace Chen

Malak Kabbani

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I just wanted to look nice for you

FdA Fashion Styling and Photography

I am a second year student at the London College of Fashion. Currently studying Fashion Photography I have a keen interest in collaborating with creatives who want to expand their portfolios and create innovative and new work. Having completed my foundation at Central Saint Martins and soon entering my final year at the London College of Fashion I am interested in expanding my network within the UAL community.

Alina Milos

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Aura.

BA (Hons) Fashion: Hair and Make Up

Alina Milos, beauty and fashion make-up artist based in London. My work is mainly about skin, perfection and purity. I always try to reach harmony in everything I create and while harmonizing show my sense, productivity, optimism, life. Open for collaborations & editorial shoots. Keep in touch ;) alinamilos01@gmail.com , +447879942152

Jurgita Dileviciute

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BA (Hons) Cordwainers Footwear: Product Design and Innovation

JURGITA DILEVICIUTE UK +44.7986 532 363 info@jdileviciute.com www.jdileviciute.com lookbook credits: photography - Simonas Berukstis model - Ugne Valenciute

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