BA (Hons) Fashion Design and Development

Current fashion assistant and aspiring fashion stylist working and living in London. For my final major project i wanted to create something reflective of my strengths within styling. Therefore i created the fashion magazine product, theOpposite - the black and white issue. This product consists of all editorials styled by myself, along with garments and a casing. EXPERIENCE Marie Claire Magazine Fashion assistant to junior fashion editor Holly Welch The Evening Standard Magazine Fashion assistant to fashion directors Nicky Yates and Nathalie Riddle, and fashion editor Orsolya Szabo Instyle Magazine Fashion Intern Browns web styling team Fashion Intern Vogue Magazine Fashion Intern Harpers Bazaar Fashion Intern

FdA Fashion Design Technology (Designer Pattern Cutter)

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FdA Fashion Design Technology (Designer Pattern Cutter)

I believe that clothing is the perfect medium to discuss topics such as politics, sociology and generally what is happening in the world surrounding us today, as it is our most immediate and constant form of expressing ourselfs. I am not intrested in desining linen a- line trousers or hemp boxy tops but want to design for the politically concious woman. Creating clothes that visually give of what your political stance is using intresting pattern cutting and shapes and not relying on slogan t-shirts. i am currently starting up a labeling campaign (website comming soon) which in a good few years will hopefully make buying eco, ethical and poltical clothing that little bit easier!

BA (Hons) Active Sportswear

A passionate lover of sports, art and any visual communication who tries to capture what most people oversee in the busy context of our everyday life, communicating in a language understood by most.

BA (Hons) Fashion Design Technology: Womenswear

This collection is abut the Letters. Creative director - Morteza varzegani Makeup artist - Minkung kim, Model - sophie Hiscock Photographer - Elzbeta piekacz Designer - SuJin Kim sksms3377@hotmail.com

BA (Hons) Bespoke Tailoring

Graduate of Bespoke Tailoring in Menswear. Refined skills in bespoke tailoring methods and techniques, with further interests in pattern construction, fabrics research and development. Multicultural background with a Japanese-Indian origin and roots in Sweden, bringing a broader analytical perspective into my designs. Current collection based on a reinterpretation of traditional dress and cultural symbolism into a modern perspective of detailing. Strong conceptual approaches based on cross-cultural aspects of social anthropology. Striving towards a gender neutral identification of garments.

BA (Hons) Fashion Design Technology: Womenswear

Education London College of Fashion: BA (Hons) Fashion Design & Technology (Womenswear) University for the Creative Arts: Foundation Diploma in Art & Design Work Experience MARY KATRANTZOU, 2/2012 - 4/2012: Assisting in sample room Assistant to pattern cutters Embroidery Technical experimentation Experimental samples Cutting final garments ESCADA, 10/2008 – 04/2009 Design Intern, Munich • Designed accessories and swimwear pieces • Created technical drawings and layouts using CADCAM • Design, trend, and look research, creation of mood & inspiration boards • Organized photo shoots and fittings, files and databases • Helped organize showroom for buyers AMICA Magazine, 07/2007 - 08/2007 Styling Intern, Munich • Organized styling department, ordered and shipped garments and accessories • Product description for editorials • Maintained database Fiona Bennett, milliner, 08/2006 – 09/2006 Studio Intern, Berlin • Specialist hand-crafting of hats, headpieces and hair accessories • Communicated with designer and helped realize ideas Contact: elisabethvonstackelberg@gmail.com

BA (Hons) Fashion Design Technology: Womenswear

Seunghye Maggie Rhee BA (Hons) Fashion Design Technology : Womenswear This "Neo Survivor" collection has intention to reconstruct Russian nomadic costume into a modern shape within some insperation on skiwear as its modern and functional aspects. +Education University of the Arts London London College of Fashion: BA Hons FDT Womenswear +Work Experience Pam Hogg (Jun 2011 - Feb 2012) SS12 Paris fashion week/ AW12 London fashion week Vogue Korea (Jun 2006 - Oct 2006) Fashion Assistant

BA (Hons) Fashion Contour

I am a final year undergraduate at London College of Fashion studying BA Fashion Contour. I specialise in luxury couture design and production of lingerie. The brand I have built over my final year is called BD&S:Me, this consists of unique encapsulating designs including pleating and metal manipulation.

BA (Hons) Fashion Design Technology: Womenswear

EDUCATION London College of Fashion // 2010 - 2013 BA (Hons) Fashion Design and Technology: Womenswear UCA // 2009-2010 Foundation Diploma in Art and Design (Distinction) WORK EXPERIENCE Giles Deacon // May-June 2012 Sample Room intern Vogue Fashion Cupboard // December 2012 Assistant stylist Marios Schwab // August-September 2011 Production Intern rachelgreig21@gmail.com

BA (Hons) Cordwainers Footwear: Product Design And Development

Billie Tuncer - Fashion footwear designer Fashion footwear with a difference, Billie's first collection for Autumn/ Winter 2013 from the brand B london prides itself on being out of the ordinary.Creating a new opportunity for a range of consumers whom have a passion for footwear and design. Using everyday ordinary objects from inspiring locations and bringing them into a collection to capture her consumers attention. B Londons first collection was inspired by Bricklane a location close to heart that really took inspirations and ideas to a new level. street art was the main inspiration towards colour palate and design ideas. Working within the commercial high fashion industry to a more conceptual smaller business, Billie has knowledge of a varied fashion industry around her and using them skills to contribute towards her final collection. Billie will be graduating from BA (hons) Cordwainers footwear in summer 2013.

BA (Hons) Bespoke Tailoring

Linni Ta (born in 1986) – fashion design graduate from Istituto Marangoni and pattern cutting / bespoke tailoring alumni from London College of Fashion. She has also attended the prestigious Central St. Martins, London. Linni Ta, with a long experience and an excellent academic background, is a designer from A to Z with a depth of knowledge from designing a collection through pattern cutting to hand craft / construction of garments just to name a few. Her style is extravagant yet characterized by incredible precision in every single detail; from choosing the silhouette or the right fabric to achieve a desired result. The main source of inspiration in Linni Ta’s work are classic fairy tales and movies from the 30’s. She also finds the opera and ballet influencing her work since they have been an important part of the designer’s life ever since her childhood. In the summer of 2007 she was offered an internship at the Pauric Sweeney’s Atelier in Florence, Italy where she stayed 4 months and the following year she did an apprenticeship in Barcelona, Spain at the Projecte Bressol, sponsored by the Catalan government. In the spring of 2011, after being granted a sponsorship from Dormueil, Linni Ta’s design was chosen to be a part of Henry Poole 150 Years of Tuxedo exhibition. The outfit’s debut was at the Quintessentially Private Party in London and then showed in renowned Harrods and the Burlington Arcade, before it departed on an annual tour to far away countries such as Japan, Argentina and Brazil. The entire collection was later celebrated at the Tuxedo Park Annual Ball in New York. Linni Ta started to specialize in couture embroidery in the early 2011. This particular skill was soon to become the designer’s main trait. She continued to perfect it at the prestigious Atelier Lesage in Paris, that collaborates with all of the most important haute couture houses such as Chanel and Christian Dior. During the internshi, the legendary Monsieur Francois Lesage personally appreciated her talent. During the Diamond Jubilee celebration in June 2012, Linni Ta had the honour of meeting Her Majesty the Queen Elizabeth II at the specially created event in the Bromley Park, London to celebrate the young designers. At the moment Linni Ta is working on her first collection “Swans and Ravens” inspired by a fairylike idea of good and evil – two opposing coexisting worlds. Please note: all the garments are based in Poland, please keep it in mind while enquiring for garments. Enquiry at: trnglinh@gmail.com www.linnita.com www.facebook.com/LinniTaOfficial

BA (Hons) Fashion: Styling and Photography (Top Up)

I am a fashion photographer based in London, I am flexible with my work and I like trying new things. I now have my own photography studio in Biscuit Factory K Block, unit K106, Which means I can shoot in studio any day or any time of the week. Studio Details: Tower Bridge Business Complex, London, SE16 4DG, Biscuit Factory, K Block, K106. (nearest tube Bermondsey) www.studyo.co.uk http://www.facebook.com/studyo.co.uk https://twitter.com/Studyocouk Call me on 07733281238 for more info on studio. My details: Blog: http://bugraergil.blogspot.co.uk/ Twitter: @BugraErgil E-mail: bugraergil@gmail.com Cell: 07733281238

BA (Hons) Fashion Design Technology: Surface Textiles

"My Heart, My Fellow Traveller" Spring.Summer.2014 | Story telling, through colour and craft | Having been in the media quite regularly, for all the wrong reasons, Pakistan seems to have built a notorious reputation. The international media highlights suicide attacks on military and civilian population, the backbreaking inflation, growing unemployment rate and the country’s fiscal debt. There is hardly any media coverage about the positive aspects of the country.. The verse by a notable Pakistani poet, Faiz Ahmed Faiz “My Heart, My Fellow Traveller” symbolizes all those things a heart contains within it, encompassing them as we go. The place you call home and the places you have been are impossible to let go of, and it is that experience the concept has been concieved from. Having moved to the UK from Pakistan eight years ago, the aspects of Mashaal’s homeland that were once mundane and ‘everyday’ now seem extraordinary. Through the collection there is an attempt to take the viewer on a journey through Pakistan’s visual culture, looking at the array of features that go unnoticed. Mashaal’s love for everything Pakistani, has provided the chance to open up the richly layered culture of Pakistan to a global audience. The collection aims to act as a narrative between Pakistan and the world, bridging the gap between perception and reality. Pakistani visual culture has been researched in depth focusing on mass culture comprising of communication through image and typography, advertising and in particular the phenomenon of Pakistani truck art. Drawings with the wrong hand to maintain the naivety of the subjects were screen printed, further combined with digital print, flock and hand embroidered french knots to create innovative and modern pieces. | Collaboration | This project is in collaboration with Surface Textiles: Print student Nayna Sisodiya. Nayna's concept revolves around celebrating women of the third world country and their roles in society that go unnoticed. The idea of highlighting hidden beauty is one being explored by both designers, however, with two different approaches. Mashaal's concept focuses on features of Pakistani visual culture and aims to celebrate them whereas Nayna has emphasised the status of women in less developed countries. The goal is the same: To highlight what has been forgotten and gets overlooked. | Education | London College of Fashion Fashion Design Technology: Surface Textiles ( Sep 2010-present)

 Central St Martins College of Art & Design Foundation Diploma in Art and Design (Sep 2009- June 2010)
 | Industry Experience | Erdem (Jan 2012- March 2012) Production Intern Osman Yousefzada (July 2010- Oct 2010) Studio Manager/ Intern | Extra curricular | Selected to showcase dress in Alternative Fashion Week 2009 | Skills | In-Design Photoshop Illustrator Technical drawings Basic knowledge of pattern cutting Hand rendered illustrations Screen Printing- Acid, Discharge, Devore, Flock, Foil, Multi screening Heat press printing Sublimation printing Digital Printing Dyeing Specialized machinery: Irish,Tanaka, Cornely, Moss Laser cut Domestic Knitting machine Research Fabric sourcing | Credits | Lookbook- All textiles, outfits, accessories by Mashaal Arshad Khan & Nayna Sisodiya Photography: Camilla Felgate www.camillafelgate.com Model: Katarina Nemcova @ Profile Make-up and Hair: Mashaal Arshad Khan Special Assistance by Lovette Allabison Fashion Film- All textiles, outfits, accessories by Mashaal Arshad Khan & Nayna Sisodiya Filmed by LoveMemento Assisted by Jemini Pattni Model: Poonam Agate Editor: Stefan Hornig Music edited by Rav Makeup: Mashaal Arshad Khan Hair: Nayna Sisodiya

BA (Hons) Fashion Design Technology: Womenswear

Womenswear and knitwear Design Email: anqiwang01@gmail.com

BA (Hons) Fashion Design Technology: Womenswear

“She might be without country, without nation, but inside her there was still a being that could exist and be free, that could simply say I am without adding a this, or a that, without saying I am Indian, Guyanese, English, or anything else in the world.” - Sharon Maas, Of Marriageable Age (2000) At the heart of my project is a personal voyage of self-discovery as I strive to find commonalities between contrasting identities and cultural diasporas. My focus is based on shared human experiences by looking at ideas of belonging and displacement through juxtaposing strikingly different modes of existence – the people on the streets of India and the Amish communities in North America. This led me to the concept of ‘Lost and Found’ as I truly believe this concept encapsulates my personal and professional journey. As a fashion design student, I found it necessary to incorporate socially relevant and personal stories into my collection as I consider fashion to be a mirror to life. Throughout this project, I have demonstrated my desire to experiment, to push boundaries and to design a collection which will represent the under-represented sections of society. Many thanks to Biddle Sawyer Silks for sponsoring the silk fabric for my final collection: http://www.biddlesawyersilks.com/

BA (Hons) Fashion Design Technology: Womenswear

Education: • London College of Fashion: 2010 -2013
 (BA Honours) Fashion Design Technology : Womenswear • London College of Communication : 2005 -2007
 (BA Honours) Graphic and Media Design Work Experience: • Peter Pilotto. Studio Assistant (Full-time) - 14 May 2012 ~ 29 Jun 2012 • Osman Yousefzada. Studio Assistant (Full-time) 
 - 27 Jun 2011 ~ 25 Aug 2011

BA (Hons) Fashion Design Technology: Womenswear

ABSTRACTIONIST: Abstract geometry of the human form. The concept combines Oskar Schlemmer's "Triadic Ballet" with 1920's avant-garde fashion. EDUCATION 2009/ present – LONDON COLLEGE OF FASHION – Fashion Design Technology – Womenswear 2008/2009 - LONDON COLLEGE OF FASHION – Foundation Diploma in Art and Design 2007/2008 - LONDON COLLEGE OF FASHION - Fashion Portfolio Course WORK EXPERIENCE October 2011- Internship at Amanda Wakeley - Pattern cutting, studio assistant. Done research for the new collection of the designer and helped to the design process. Been to the photo shoots of the look books. February 2011- Internship at Giles – Pattern cutting, been in the preparation of the designer’s Fall 2012 collection. Done lots of hand stitching and beadings. Have designed beadings on the garments. Been in the backstage of the designer’s show. December 2010 – Internship at Hakaan (Hakan Yildirim) – Designer assistant, worked in the studio of the designer, experienced the process of preperation for a collection. Pattern cutting, designing. August 2010 – Internship at Arzu Kaprol - Pattern cutting, helped prepare for the designer’s fashion show for Paris Fashion Week and completed an arm piece made of beadings for the show as well . Attended to the fittings for designer’s haute couture clients. Also experienced designer’s ready to wear collection and helped with merchandising. July 2009 – Internship at Ipekyol (one of the biggest textile brand in Turkey) Worked in design studio and showroom, made observations in the pattern atelier. Went to the campaign’s advertisement photoshoots and helped the photographers and worked on the styling with Turkey’s most wanted stylist and Turkey Vogue’s fashion editor Ece Sukan. ece_nayman@hotmail.com

BA (Hons) Fashion Design Technology: Surface Textiles

The collection is aimed at high-end women’s wear in a western market. The typical customer is an individual who can appreciate the time and effort involved in creating hand woven fabrics. The process of manufacture is mainly handloom, and materials and textures are a combination of wickers, masks, and pottery. These age-old techniques and traditional crafts elements have been translated and incorporated into a collection that is reflective of a modern contemporary silhouette, sourced through ethical textiles.

BA (Hons) Fashion Design Technology: Surface Textiles

I am a Japanese designer with an international background who loves aesthetics with a hint of fantasy in reality. This Autumn/Winter 2013-14 collection was produced within a collaborative team: two students from Surface Textiles, myself in knitwear and Ping-Yi Lee in embellishment, dedicated to Janet Kim from Menswear. The concept of childhood imagination was studied through areas such as psychology, sociology, and visual expressions to understand the significance of children's creativity from carious perspectives. These themes were then interpreted through knit, embellishment, and shape development to create garments that embodies playful and sophisticated innovation. Like the monsters drawn by children, the mood of the project reflects on their contradictory characterisation as intimidating but beautiful, expressive but hidden, juvenile but mature... Discovering these imaginary creatures that are thought to be watching us from the dark closet of underneath the bed took us on a journey to explore the colours, movement, and textures for the collection. Special thanks to Saga Furs for the wonderful sponsorship. For more please check: www.merixeo.com